Press
WHAT'S NEW


Perfromance ZeD - CBC Television
music in David Suzuki Documentary "Suzuki Speaks" march 25 2004

Sound design and music in Sacred Planet
(Imax)
April 22,2004 with Disney
The following is an explanation of DRIFT
by Adham Shaikh
These sonic landscapes are a result of our musical explorations into the worlds of sound and imagination. We used natural sounds; traditional instruments, electronics and even the mixing process to create impressions and textural movements that in the context of the album tell a cyclical story. We wanted to capture life's ebb and flow, a recording of nature in progress. An audio experience that could be synonymous to a 24-hour time lapsed nature film.

Drift came into life during the months of August and September when I found myself on a small island in the Pacific Northwest, in a log cabin lent by a friend who would be away. I began to transform the cabin into the "mothership," a recording studio to begin interstellar voyages with a friend and guitar navigator Tim Floyd. We had many conversations over the years about
Drift Review from Sonic Souls Retina
Drift Liner Notes
Journey to the Sun Review
Journey to the Sun Liner Notes
Realignment exceprt from xlr8r
Essence review


recording together and we were finally going to embark on our musical explorations.

During the first month, Tim and I spend music time traveling around the Pacific Northwest. We were searching our magical sounds and making ourselves available for musical synchronicities that would be the basis of the sound library we would draw from in the months to follow. The most difficult aspect of our odyssey was the realization that very few "acoustic windows" of opportunity exist that aren't smudged, smeared, streaked, or stained by man made gadgets. Boats, cars, jet skies, and planes, to name a few made it almost impossible to make continuous recordings for more than 15 minutes.

We learned to adjust and let nature take us in her arms. We soon found that music could be made with almost any object as long as it was approached with a childlike imagination. The variety of activities we found ourselves doing to create unique sounds was exhilarating. Glacial streams, an old abandon water storage tank, the woodstove in the cabin, a motorcycle manifold, and the spokes of a mountain bike, and recording hand rhythms in water all provided opportunity for improvisation.

We hope that these recordings will in some way touch you in the way we were touched creating them.

copyright 2003 sonicturtle - email info@sonicturtle.com
website by studioblanc.com